Jumping Atop Boulders To Cross A Rushing River

2014 has gifted The Suboken Project with some new developments and opportunities.

One such opportunity is the consolidation the Suboken.com portfolio website with the Suboken Project blog into a single web destination. As the saying goes, please excuse our dust while this transition is in progress.

Another timely announcement for you is that In A Place: Series 2 prints will be on sale this Friday, 4th of April at the Venus Studios Art Walk and Bazaar. We’re offering a Mother’s Day special on the prints if you’re looking to buy something extra special for Mom. Speaking of mothers, Calista and I will be bringing our special little guest with us on Friday as well and would love for you to stop by and say hello. The art walk runs from 2:00 to 7:00.

Venus Studios is located at 41801 Corporate Way, Palm Desert, CA 92260

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Discovering a Visual Shorthand: The Making of The Cartographer’s Dilemma

continued from part 1

A Series Of Dilemmas

“Cartographers use an illustrative short-hand to describe geographical features of the real world. This short-hand form of communication is designed to allow the viewer to have an easy baring on the contours and layout of the area depicted on the cartographer’s map. Exaggerated color palettes, lines of various weight and solid fields of color all act as simplified yet concise forms of communication informing the map viewer of the geography depicted. Instead of focusing on the actual details of the full terrain, the user of the map can rely solely on the map to find her way around the area.
“Spoken and written language serves as a way to describe the real world as well. Words are used as a concise method to describe all the vast facets and features of the world and the ways in which we interact with and within it.
“However, are words also just another form of short-hand, simplifying or exaggerating how we see the real word? A culture’s vocabulary has such a huge impact on how it’s members regard the world in which they live. Could it be that the more complex and sophisticated our lexicon becomes, the more removed we are from simply seeing the real world?”

– as described on suboken.com

The ideas and dilemmas philosophy introduced me to were the perfect concepts for me to explore through my art. Creating art wasn’t about making a thing, it was about exploring an idea. Visual art in particular become a new voice through which I could explore the world. During the process of building The Cartographer’s Dilemma (TCD), the individual elements became metaphors of the different aspects of the theme I was tackling. With regard to the completed piece, the more refined the artwork was aesthetically, the clearer the question posed by the artwork’s concept became.

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Discovering a Visual Shorthand: The Making of The Cartographer’s Dilemma

The Cartographer's Dilemma

The Cartograper’s Dilemma

I’ve written how hesitant I am to explain the art pieces I create. However, this past year I have become more comfortable participating in conversations about my work.

While being on-hand during the hanging of the current show, I enjoyed a spontaneous conversation with Abel Floris, owner of Desert Signs and Graphics, and the artist responsible for creating the vinyl lettering for the exhibition. He was curious about my process; in particular how I came to create The Cartographer’s Dilemma (TCD). I summed up the amount of work that goes into each TCD sculpture into a few sentences. I wasn’t trying to be deliberately coy, I was simply eager to hear more of his thoughts on the pieces currently hanging in the show.

After my brief answer, however, Abel replied with a comment that arrested me with enthusiasm. I can’t recall his exact words, but the gist of his comment went something like, “…and just like that, you came up with the idea for the piece.” It wasn’t just the explanation on the concept behind the artwork that he was looking for, but the journey behind reaching the final presentation!
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Hanging The Exhibit

Today was the second day hanging the show. I knew I had dropped off a good number of art pieces for the exhibit, forty-two pieces to be exact. (I’ll steal a smile with Douglas fans, and don’t forget to bring a towel.) But walking into the space this afternoon with almost everything now hung on the walls made this whole adventure all the more real.

The moment that shifted my perspective was when these letters were revealed on the wall.

ImageThe show opens tomorrow, but here’s a sneak peek at some of the work featured in the exhibit.

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If you noticed that The Cartographer’s Dilemma is mysteriously absent from this post, there’s a reason. It’s in the show, but there’s something additional involved in its presentation. I’ll leave you with a coy hint, an update is long over due for The Cartographer’s Dilemma page on the website.